http://koken.me Thu, 20 Oct 2016 11:08:18 +0100 https://blog.sergiobernardino.net/storage/cache/images/000/508/FED4-KODAK-GOLD-200-IMG-32,medium_large.1562246688.jpg https://sitemap.sergiobernardino.net/albums/metropolis/ Mon, 07 Sep 2015 11:32:00 +0100 ]]> Terms and Conditions of Use]]> Tue, 12 May 2015 10:49:47 +0100 color negative digitally grayscaled.]]> ]]> color negative digitally grayscaled.]]> Terms and Conditions of Use]]> Tue, 07 Apr 2015 11:27:11 +0100 ]]> Terms and Conditions of Use]]> Wed, 07 May 2014 10:42:39 +0100 ]]> Wed, 10 Apr 2013 09:18:00 +0100 ]]> Mon, 08 Apr 2013 10:06:48 +0100 Canon A-1 // Canon FDn 100mm 2.8 SSC // Fujifilm Superia 400]]> ]]> Canon A-1 // Canon FDn 100mm 2.8 SSC // Fujifilm Superia 400]]> Thu, 04 Apr 2013 09:30:35 +0100 «it slipped my mind, and for a time, I felt completely free»]]> ]]> «it slipped my mind, and for a time, I felt completely free»]]> Fri, 18 Jan 2013 09:43:18 +0000 Canon A-1 // Canon FDn 50mm 1.8 // Fujifilm Superia 400]]> ]]> Canon A-1 // Canon FDn 50mm 1.8 // Fujifilm Superia 400]]> Thu, 20 Dec 2012 14:14:18 +0000 Canon A-1 // Canon FDn 50mm 1.8 // Kodak Portra 400 // color negative digitally grayscaled]]> ]]> Canon A-1 // Canon FDn 50mm 1.8 // Kodak Portra 400 // color negative digitally grayscaled]]> Tue, 18 Dec 2012 09:19:15 +0000 Canon A-1 // Canon FDn 50mm 1.8 // Kodak Portra 400]]> ]]> Canon A-1 // Canon FDn 50mm 1.8 // Kodak Portra 400]]> Wed, 01 Jun 2011 16:35:00 +0100 ]]> Fri, 21 Jan 2011 09:14:57 +0000 FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Fujifilm Superia 400 // f5.6 1/125s]]> ]]> FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Fujifilm Superia 400 // f5.6 1/125s]]> Wed, 12 Jan 2011 09:55:21 +0000 Camilla Watson has lived and worked in Mouraria since 2006. Struck by the generosity and spirit of the elderly living in the Beco das Farinhas, Camilla started a project in which she made a selection of portraits and placed them in plain sight for all to see. Tribute is the name of this outdoor exhibit, and while it opened in September 2009, it is to remain indefinitely so long as she has sponsors to help her with the costs of maintaining each piece in adequate condition. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Fujifilm Superia 400 // f5.6 1/125s]]> ]]> Camilla Watson has lived and worked in Mouraria since 2006. Struck by the generosity and spirit of the elderly living in the Beco das Farinhas, Camilla started a project in which she made a selection of portraits and placed them in plain sight for all to see. Tribute is the name of this outdoor exhibit, and while it opened in September 2009, it is to remain indefinitely so long as she has sponsors to help her with the costs of maintaining each piece in adequate condition. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Fujifilm Superia 400 // f5.6 1/125s]]> Mon, 10 Jan 2011 09:48:49 +0000 Portugal you are the reason / of our immense joy / In the support of the national soccer team / no one beats Mouraria Sports - soccer, in particular, here in Portugal - has that unique effect on people of birthing, or rekindling, a great sense of pride and unity under a common banner (people revel in vicariously living through their team's successes). In the case of international competitions, that banner is obviously the nation's own flag. I share no love for such things, though I find this effect rather interesting due to how fierce, yet extremely ephemeral, it all is. The fine people of Mouraria, a classic Lisbon neighbourhood, went to great lengths to show their support to the Portuguese soccer team (quite possibly a remnant related to the 2004's UEFA European Football Championship, organized in Portugal) with this mural. However, it is quite apparent how easy it is all forgotten once it's over, when you leave an important symbol like your own nation's flag for rags. It is the nature of such a burning passion, I guess. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Fujifilm Superia 400 // f5.6 1/125s]]> ]]> Portugal you are the reason / of our immense joy / In the support of the national soccer team / no one beats Mouraria Sports - soccer, in particular, here in Portugal - has that unique effect on people of birthing, or rekindling, a great sense of pride and unity under a common banner (people revel in vicariously living through their team's successes). In the case of international competitions, that banner is obviously the nation's own flag. I share no love for such things, though I find this effect rather interesting due to how fierce, yet extremely ephemeral, it all is. The fine people of Mouraria, a classic Lisbon neighbourhood, went to great lengths to show their support to the Portuguese soccer team (quite possibly a remnant related to the 2004's UEFA European Football Championship, organized in Portugal) with this mural. However, it is quite apparent how easy it is all forgotten once it's over, when you leave an important symbol like your own nation's flag for rags. It is the nature of such a burning passion, I guess. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Fujifilm Superia 400 // f5.6 1/125s]]> Mon, 20 Dec 2010 15:02:07 +0000 Elevador da Bica, designed by Raoul Mesnier du Ponsard, inaugurated in June of 1892. At the time it operated by a water counterweight. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Kodak Gold 200 // f4.0 1/60s]]> ]]> Elevador da Bica, designed by Raoul Mesnier du Ponsard, inaugurated in June of 1892. At the time it operated by a water counterweight. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Kodak Gold 200 // f4.0 1/60s]]> Fri, 17 Dec 2010 15:12:40 +0000 FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Kodak Gold 200 // f2.8 1/60s]]> ]]> FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Kodak Gold 200 // f2.8 1/60s]]> Thu, 09 Dec 2010 08:51:50 +0000 FED 4, I came across a problem in which I was unable to set the manual rewinding system in motion to properly retrieve the film once it had been fully used. As a result, I had to remove it in a fairly unorthodox way which ended exposing the last bit of film to too much light, ruining the last exposures of that set. This exposure is one who has survived the experience of my mishandling, but not without its scars. You can plainly see the shadow cast by the layer of film protecting that section of the shot from the excess light. Fortunately, the rest of the exposure wasn't that badly damaged, giving it this unique look you can't really reproduce that easily these days (I'm sure some you might ask «and why would you want to?») with digital photography. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Kodak Gold 200]]> ]]> FED 4, I came across a problem in which I was unable to set the manual rewinding system in motion to properly retrieve the film once it had been fully used. As a result, I had to remove it in a fairly unorthodox way which ended exposing the last bit of film to too much light, ruining the last exposures of that set. This exposure is one who has survived the experience of my mishandling, but not without its scars. You can plainly see the shadow cast by the layer of film protecting that section of the shot from the excess light. Fortunately, the rest of the exposure wasn't that badly damaged, giving it this unique look you can't really reproduce that easily these days (I'm sure some you might ask «and why would you want to?») with digital photography. FED 4 Type b Rangefinder // 53mm f2.8 Industar 61 // Kodak Gold 200]]> Tue, 07 Dec 2010 10:10:38 +0000 ]]> Mon, 29 Nov 2010 10:19:00 +0000 ex libris, the «25 de Abril bridge», early in the evening.]]> ]]> ex libris, the «25 de Abril bridge», early in the evening.]]> Tue, 02 Nov 2010 08:53:00 +0000 «Albion (Ἀλβιών) is the oldest known name of the island of Great Britain. It is thought to derive from the white cliffs of Dover. Today, it is still sometimes used poetically to refer to the island or England in particular.»]]> ]]> «Albion (Ἀλβιών) is the oldest known name of the island of Great Britain. It is thought to derive from the white cliffs of Dover. Today, it is still sometimes used poetically to refer to the island or England in particular.»]]> Wed, 27 Oct 2010 09:38:00 +0100 ]]> Mon, 25 Oct 2010 10:06:00 +0100 ]]> Fri, 22 Oct 2010 11:53:13 +0100 Francesco Palpacelli was commissioned in the late 80's to design this structure at Via di Vigna Murata, in Rome, they said it was meant to be a water center. I think we all know what it's really used for... :-) It took three years to build, and it might not seem like it, but it's fairly massive, with its ring tank rising over 70 meters above the ground.]]> ]]> Francesco Palpacelli was commissioned in the late 80's to design this structure at Via di Vigna Murata, in Rome, they said it was meant to be a water center. I think we all know what it's really used for... :-) It took three years to build, and it might not seem like it, but it's fairly massive, with its ring tank rising over 70 meters above the ground.]]> Sun, 04 Apr 2010 16:02:00 +0100 4amproject photowalk, which this time took our group to Sintra.]]> ]]> 4amproject photowalk, which this time took our group to Sintra.]]> Wed, 03 Mar 2010 10:38:00 +0000 ]]> Wed, 09 Dec 2009 12:36:00 +0000 ]]> Sun, 22 Nov 2009 22:03:00 +0000 ]]> Wed, 18 Nov 2009 08:32:00 +0000 ]]> Fri, 06 Nov 2009 10:28:00 +0000 ]]> Mon, 02 Nov 2009 10:38:00 +0000 ]]> Wed, 09 Sep 2009 14:34:00 +0100 ]]> Tue, 14 Jul 2009 00:17:00 +0100 ]]> Fri, 10 Jul 2009 02:33:00 +0100 ]]> Mon, 01 Jun 2009 16:09:00 +0100 ]]> Mon, 27 Apr 2009 01:05:15 +0100 ]]> Mon, 05 Jan 2009 00:03:00 +0000 ]]>